Creating Community: The Stories of Little Caughnawaga

What makes a community?  It is not the buildings and roads of a place, but

Filmmaker Reaghan Tarbell
Filmmaker Reaghan Tarbell

the bonds between people, that create a community.  This is apparent in Reaghan Tarbell’s film, To Brooklyn and Back: A Mohawk Journey.  The film tells the story of the Mohawk people of Kahnawake, Quebec, who, for over 50 years, have occupied a 10 square block neighborhood in the North Gowanus section of Brooklyn called Little Caughnawaga.

A chance for employment is what led the skilled ironworkers of Kahnawake to Brooklyn, and their wives and children followed.  The women, too, often sought work opportunities in the “golden” city of New York.  The women were instrumental in keeping the community strong and Mohawk culture alive in the Brooklyn neighborhood.  But the people of Little Caughnawaga never forgot where they came from, and often travelled the long journey between Brooklyn and Quebec to visit their extended families.  The film also covers the tragic Quebec Bridge collapse of 1907, a catastrophe which killed 75 people, including 33 men from the Kahnawake community.

Reaghan now works in New York City and lives in Brooklyn, just a few blocks away from the Mohawk community that she heard stories about while growing up in Kahnawake.  The women who built this community were her grandmothers, aunts and other relatives.  Reaghan explains, “Never have I thought more about them than during my own time living in Brooklyn.  Although many years have passed I had a feeling, based on my own experiences, that deep down not much has changed for Mohawk women.  I wanted to learn about their experiences.  I wanted to hear about the issues they faced and I wanted to hear it from the women in whose path I was now walking.

To screen the film and learn more about Reaghan Tarbell, come to Green Street on Friday, May 14 at 7pm. Suggested donation is $5.

Submitted by Stephanie Elliott, Friend of Green Street and Publicist at Wesleyan University Press

Upcoming Green Street event: Music and Dance of Bali

Come to Green Street for a musical journey to the tropical island of Bali! This Friday, Green Street Arts Center of Wesleyan University will host an evening of Balinese music and dance with performances by traditional Balinese ensembles. This dance is characterized by expressive hand gestures and intense emotion conveyed through the face as the dancers act out a story or series of events. In Bali, birthdays, weddings, and temples festivals are all occasions for dramatic performances and dance, as they are inextricably linked with the Balinese religion.

About the performers:

Dharma Swara is comprised of about 40 individuals who come from a variety of academic, professional, and artistic backgrounds.  They study a variety of forms, from ancient dances once performed to entertain the rajas in their palaces, to the contemporary kebyar ensemble.  For this concert we are joined by Green Street teaching artist Shoko Yamamuro, dance coordinator for Gamelan Dharma Swara, Noopur Singha, and students of Wesleyan’s Balinese Dance class led by Urip Sri Maeny.

Wesleyan’s Balinese Gamelan Angklung group performs under the direction of Gamelan Dharma Swara’s music and education coordinator Peter Steele. Steele is a musician, scholar and composer working primarily on Balinese Gamelan music, which he teaches at Wesleyan. With an M.A. in ethnomusicology, he is also an active performer and composer, having several of his works performed by Balinese ensembles at the annual Bali Arts festival.

Music and Dance of Bali takes place on Friday, April 30 at 7pm. Tickets are $10 for non-members; $8 for members, students, and seniors; $5 for Wesleyan Staff, Students and Faculty w/ID.

For more information visit www.greenstreetartscenter.org. To purchase tickets call us at 860-685-7871.

Submitted by Lisa Bruno, Development Assistant

Thinking About Pete Seeger

Sunday Salon Series Brings Wesleyan Professor to Discuss Legacy of Legendary Folk Singer

Pete Seeger

Pete Seeger is very possibly the most important U.S. folk singer of the 20th century, a central figure in the music of social movements from the labor movement of the 1930s to the environmental movement of today. For the past year Wesleyan Professor Rob Rosenthal has been working with Seeger on a forthcoming collection of his papers, The Pete Seeger Reader. At Green Street’s Sunday Salon Series, Rob will discuss this work, Seeger’s place in American music, and invite audience members to share their thoughts and memories of this beloved musician.

This informal lecture takes place on Sunday, April 25 from 2–4pm as part of the Sunday Salon Discussion Series, Green Street’s monthly discussion series for creative minds and curious individuals hosted by Wesleyan University Chemistry Professor David Beveridge. Each monthly salon includes plenty of opportunity for socializing as well as a reception with light refreshments.

Admission is $5 for the general public and $3 for Green Street members, seniors, and students. Green Street Arts Center is located at 51 Green Street, Middletown, CT. To register or get more information, please visit:  www.greenstreetartscenter.org or call (860) 685-7871.


More About Rob Rosenthal
As a professor of sociology at Wesleyan, Rosenthal is an expert on housing, homelessness, social movements and the culture of social movements. He received his bachelor’s degree from Rutgers University and his master’s of arts and Ph.D fromthe University of California Santa Barbara.

Rosenthal is the author of 18 published articles, seven of which cover the topic of homelessness. His book, Homeless in Paradise received the Association for Humanist Sociology Book Award in 1995.

He teaches Introductory Sociology, Urban Sociology, Housing and Public Policy, and Music in Social Movements to undergrads, and recently taught Music in Social Movements to students enrolled in the Graduate Liberal Studies Program. In this class, Rosenthal questions how the actual use of music can create movement cultures. Students listen to musicians such as Bob Dylan, Woody Guthrie, Billie Holiday, Janis Joplin, Rage Against the Machine, and Public Enemy and discuss how their music relates to movements in the United States including the labor, civil rights, new left, woman’s, and current inner city movements.

Submitted by Adam Kubota, Center for the Arts