Sunday Salon Discussion Series: The Law of Gaga

Pop musicians getting involved in politics is nothing new, nor has there ever been a shortage of musicians willing to make clear their personal and artistic connections to LGBT culture and politics.  But in the past year, there seems to have been an upsurge in mainstream pop artists getting involved in gay rights activism in surprising ways.  Attracting probably the most attention has been Lady Gaga’s outspoken advocacy for repealing Don’t Ask Don’t Tell, including appearing at a rally in Maine, and taping a personal appeal to members of the U.S. Senate.

But a larger trend has been the involvement of a number of pop musicians in combating anti-gay bullying.  Although not without precedent (cf. Christina Aguilera “Beautiful”), the range of artists contributing songs (Katy Perry “Firework”), public service announcements (Justin Bieber on Ellen) and entire television shows (Glee) dealing with bullying is quite striking.

Having worked with LGBT youth on these issues since I was one myself, Queer Pride Ribbonincluding a number of years participating in the Stonewall Speakers program here in Connecticut, I love to see attention given to the issue in such popular contexts.  But as a scholar of music history, I also want to think more critically about what’s happening, and why.  Because as much as these artists probably care very deeply about these issues, when the financial stakes are as big as there in the case of, say, Justin Bieber, you have to ask what market forces and what marketing strategy, might be involved.

Submitted by Phil Gentry, Wesleyan University Alumnus ’02, University of Delaware Assistant Professor of Music

Join Phil this Sunday to explore the promises and pitfalls of when pop meets politics.

Sunday Salon Discussion Series
The Law of Gaga: Queer Citizenship on the Pop Charts

Sunday, March 27, 2011 | 2pm
Suggested Donation: $5

The issue of gay rights is a hot topic on the pop charts. Be it well-intentioned or well-calculated, artists from Justin Bieber to Katy Perry have embraced the rhetoric of moderate gay activism.

Join us for this series of intriguing conversations with Wesleyan faculty, staff and alumni. Salons are accompanied by coffee and delicious baked goods from O’Rourke’s Diner. This series is co-sponsored by the Master of Arts in Liberal Studies at Wesleyan.

Recycle, Renew, Recreate, Research, Explore

Gabby PaintingI began teaching at Green Street in the After School Art and Science class in January 2010.  My classes have explored renewable resources and local animal habitats, and created portraits, pop-up art, and masks.  I tend to move around with subject matter and materials to keep each project fresh and interesting, and am inspired by close-to-home topics and input by our young artists.  My goal is for the students to not only learn a new creative technique, but also to be exposed to a variety of sources for creativity.  We’ve made sculptures based on Connecticut animals, pop-up cards inspired by castles found all around the world, oil pastel drawings of boats traveling by air instead of fuel, and many other inspired pieces.

Stefano DrawingDuring Summer Academy we concentrated on a selection of cultures.  Every culture we targeted began with a brief background of the location, lifestyle, and beliefs of the people.  We then discussed why art could be an important part of their lives and what it represented for them.  Each project we created was based on this historical study.

We journeyed from Egyptian hieroglyphs, to the Celtic Book of Kells, to a Caribbean mosaic, and ended with a Native American recycled totem pole.  Our spin on the totem pole was for each artist to select an animal of interest and sketch out the shape and look of the creature.  Summer DrawingWe had an enormous selection of recycled materials to sift through, from plastic containers and bottle tops, to tin cans and cardboard boxes (all made possible by community donations).  With these materials the results were fantastic- eagles, seals, pigs, moose, and even a dragon!  To finish off each animal’s look, the students added paint, felt, feathers, and other types of embellishments.  Each class clustered their final creation together to signify their modern-day totem poles.

Not only did we have fun, but each student also experienced putting their creativity Recycled Sculpturesto the test as they sketched, constructed, and finalized a mixed media recycled sculpture.

More about Lindsay

My primary mediums are painting and printmaking.  I look for inspiration everywhere, but nature, loved ones, and emotional expression are a few of my overriding themes.  Within these themes I alternate between a loose, painterly quality, to a tighter, more detailed style.  I layer colors, lines, and concepts until it feels as though there is a story illustrated on the canvas or paper.  The story is there as a still-frame, whether it be in abstract, surreal, expressionistic, or realistic form.

Submitted by Lindsay Behrens, Teaching Artist

Your child can take a class with Lindsay and many other dynamic teaching artists in the Summer Arts and Science Academy this year.  Call 860-685-7871 to receive your registration packet in the mail or click here for more information.

Sunday Salon: Exploring the Masters of Wesleyan’s DanceMasters Weekend

Suzanne Farrell Ballet
"Meditation", Suzanne Farrell Ballet

For the past eleven years, in collaboration with Wesleyan University’s Dance Department, Center for the Arts Director Pamela Tatge has brought contemporary dance to Middletown from around the world.  On February 27th at 2pm community members are invited to join her at Green Street Arts Center’s Sunday Salon Discussion Series where dance becomes more than an experience of rhythmic movement, but also the start of great conversations.

Taking her passion for dance far beyond traditional pre-performance talks and post-show conversations with artists, Tatge’s unmitigated enthusiasm for contemporary dance transformed the Center for the Arts program offerings. Under her leadership, the arts are now reaching directly into classrooms, where visiting artists and faculty members are initiating
interdisciplinary learning methods that span the university curriculum.

Otis Donovan Herring, member of Evidence, A Dance company in "Two-Year Old Gentlemen" choreographed by Ronald K. Brown
"Two-Year Old Gentlemen" choreographed by Ronald K. Brown

This year Tatge and her team have gone above and beyond for their phenomenal spring dance program with dance ranging from modern American to ballet to indigenous works from Brazil and Hawaii. For the highly anticipated  12th annual DanceMasters Weekend, March 5-6, two giants of the dance world, Ronald K. Brown/Evidence, A Dance Company and the Suzanne Farrell Ballet, along with relative newcomer Gallim Dance Company, will be taking the stage.  Andrea Miller, Gallim’s founder and artistic director, is this year’s winner of the CFA’s annual Mariam McGlone Emerging Choreographer Award.

In her Green Street discussion, Tatge will share her experiences and expertise with the companies she was responsible for bringing to the area.  She will look back at the illustrious dance companies that have taken the stage over the past twelve years, including the José Límon, Paul Taylor, Sean Curran, Urban Bush Women
companies, and preview this year’s DanceMasters Weekend.

Pupil, Gallim Dance Co.
"Pupil", Galim Dance

Thanks to Tatge, dance is truly being used to unearth connections between artistic practices, modes of academic inquiry, and bonds of community in Middletown.

The Sunday Salon Discussion Series is a monthly series of intriguing conversations with Wesleyan faculty, staff, and alumni, held this month on Sunday, February 27 at 2pm.  Salons are accompanied by treats from O’Rourke’s Diner.  This event is held at Green Street Arts Center located at 51 Green Street in Middletown.  Admission is a suggested donation of $5.  For more information or to register call 860-685-7871 or visit www.greenstreetartscenter.org.  This series is co-sponsored by the Masters of Arts in Liberal Studies at Wesleyan (www.wesleyan.edu/masters).

Submitted by Sydney Lowe, ’13

Social Justice, Education, and Geoffrey Canada: A Green Street Worker’s Response

On January 21st, Harlem Children’s Zone founder and Waiting for Superman contributor Geoffrey Canada came to Middletown to speak at Wesleyan University’s Social Justice Leadership Conference.  A Bronx native and long-time educator, Canada’s defense of the importance of quality education in the inner city comes from personal experience.  Many involved at Green Street were in attendance, and one Wesleyan student was inspired to write about Canada’s words and how they apply to the work she does in Green Street’s After School Arts & Science Program.

Sam’s response:

Geoffrey Canada’s lecture was certainly just as relevant and inspiring as it was a call to action. He asserted that at the moment, America is not living up to its potential in providing equal, first-rate education to every one of its children. Progress is made by going the extra mile, beyond the expected and what is simply required, even if that means working for the cause around the clock and in spite of hardships, frustrations, and setbacks. Canada stressed the importance of all citizens taking accountability for the quality of education in America. We are all responsible for how children learn and are taught, just as we are responsible for the kind of attention they receive. Politicians and reformers with power and influence are definitely making progress as witnessed in a public arena, but Canada said that not everyone can be a “general” in the education reform struggle. “Soldiers”, those who work on the front lines directly with students, out of the spotlight, are also necessary.

Education reform begins with the belief in every child’s academic potential, right to good education, and opportunity for growth. That belief fuels the work we do at Green Street, and our faith in the ability of each child manifests itself in our encouragement and interactions with them. By treating every student as an individual and catering to their interests and concerns, our students understand that they matter and that they are capable of achievement. The people of Green Street are very much the kind of “soldiers” about which Canada spoke. Little by little, differences are made in the lives of the children as they spend a few hours after school at Green Street each day. The extra academic enrichment and care they receive are small steps to making a big difference in not only their extra-curricular learning, but also in their entire academic, social, and developmental lives.

Submitted by Samantha Maldonado, ’13, After School support staff

After School Students Shine at Winter Solstice

Camille and studentsMy name is Camille Martin and for the past few months I’ve had the pleasure of experiencing Green Street Arts Center’s After School Arts and Science Program.  I started at Green Street as an intern through Middlesex Community College.  I would come and work with the After School students as a support staff member, assisting several classrooms, participating in dance classes, and greeting students when they arrived.

After a month I became part of the staff working Monday through Friday taking care of attendance and dismissal, visiting class rooms, and tutoring kids during our Academic Enrichment hour.  I’ve watched the children flourish into mature, talented individuals thanks to the support of dedicated staff.

Breakdancing ArseanJust last week one of our students showed me her detailed watercolor painting, something she wouldn’t have been able to do four months ago.  The teaching artists and support staff have worked very hard over these months to empower the students to do their very best in the classroom and in life.  Each child has grown dramatically in character, as well as in talent, in their selected fields.  Helping kids develop skills in their young life that will carry them into their adult life has been such a rewarding experience.  From breakdancing to arts and science, our kids truly shine.  It has been an immense pleasure to be a part of the After School Arts and Science Program.

Submitted by Camille Martin, After School Support Staff

Come see all our students shine in our annual winter show.

After School Stars: Winter Solstice
Friday, December 10 | 6-8pm | Free

Students in BalletJoin us for our annual evening of performances, art exhibits, and multi-media presentations by the After School program. Enjoy performances by Breakdancing, Ballet, African Drumming, Songwriting, Storytelling, ThoroEnergy Hip Hop, and Videography classes, as well as exhibitions from Art and Science, Comic Book Drawing, and Creative Writing classes. Your support of local arts begins with our young artists—stop by and be amazed by the talent that surrounds you!

“It’s only half way through our After School Program year, but it is truly astonishing at how far our students have come and how much they have to share. Between the Cave Art and Dinosaur Sculpture exhibit from the Art and Science classes to the Beginning Breakdance Battle, our Winter Solstice event is a don’t-miss-opportunity for family, friends and neighbors to come and support Middletown’s youngest most creative minds.”— Sarah-Jane Ripa, Artistic and Education Coordinator

Get in the Holiday Spirit at Green Street

HeBuru Stylere we are in the first days of December, looking forward to the increasingly cold weather that the winter will most certainly bring. Thanksgiving has come and gone, Black Friday has tortured us all, and our relatives have made it safely home from a boisterous and happy holiday week. All that is left for us to do is to finish eating leftovers, break out the decorations, and start our holiday shopping, right…?

If you said “NO WAY!” to the previous question, then you, my friend, are the perfect candidate to attend this Friday’s Omnidenominational Holiday Celebration at Green Street Arts Center! If you said something along the lines of “yup” or “pretty much” then perhaps you need a Friday night party more than you might think.

This Friday’s event is a fundraising, album-releasing, community-celebrating concert/party/potluck with many Middletown musicians providing the entertainment. The Japanese, Static Stamina, Eric Lichter, The Kid Fiddlers, and Buru Style will all bust out their hippest, funkiest, zaniest takes on holiday classics from all denominations! WESU DJ Lord Lewis the Velvet Knight will bring two turntables, a microphone, and some holiday funk to keep the party going before/between/after the bands play. It’s an all-ages event, so bring the kids, a dish to share, and your dancing shoes!

Buru Style CD CoverAs a staff member at Green Street and a musician in the band Buru Style, I am literally bouncing off the walls with excitement for this party. We (Buru Style) decided to put this event together in order to have a release party for our latest album, The Omnidenominational Holiday Experience, while also sharing the stage with local musicians. Green Street Arts Center was the one and only place to have this event and I am thrilled to share our music with the Middletown community, both in live and recorded formats. We’ll see you Friday night!

What to bring:canned food

  • Some food to share (potluck!),
  • A canned good,
  • Your dancing shoes,
  • A few dollars to support Green Street Arts Center
    ($5 recommended donation),
  • Your friends (even if you have to kidnap them),
  • And your family,
  • And as many high-fives as you can fit in your pockets!

Submitted by Andrew Fogliano ’09, After School Support Staff & Receptionist

Green Street Arts Center Holiday Celebration
Friday, December 3rd | 7:00pm-9:00pm
Suggested Donation: $5

Buru Style celebrates the release of The Omnidenominational Holiday Experience with a musical holiday party at which scads of local musicians gather to perform around a theme. The Japanese, Blues Not Bombs, House of Moses, Static Stamina, Eric Lichter, The Kid Fiddlers and Buru Style—a diverse cast if ever there was one—will each perform short sets featuring creative takes on holiday music. WESU DJ Lord Lewis the Velvet Knight …will spin holiday funk twixt the sets.

A Place for Community Involvement within Academia: Students Respond to Stimulating Article

helping handsRecently, the Hartford Courant published an opinion piece by Harvard University student, Alexander Heffner on the importance of community involvement in higher education.  According to Mr. Heffner, “College should be home to learning that has consistent social application — not to students glued to their textbooks in straitjackets for the sake of passing courses. Learning should draw a connection between course material and its potential relevance in the ‘real world.’” Click here to read the whole article.

Wesleyan University’s Green Street Arts Center is a perfect vehicle for what Mr. Heffner feels is lacking in the collegiate experience.  Green Street is an extension of Wesleyan University into Middletown’s North End.  Every day we have students from Wesleyan University and Middlesex Community College come to intern in the office, work with after school students, volunteer, and take part in recreational classes or events.

Upon reading Mr. Heffner’s opinion, we were inspired to ask our own students to share their thoughts on the matter. We encourage you to leave a comment with your response to the article as well!

Isabel Dickinson ‘11
Isabel DickinsonAs a student at Wesleyan, a university that encourages service learning, community involvement, study abroad, and growth outside of the classroom through the arts and sciences, I feel that this article does not accurately describe American collegiate institutions.  However, after a moment of reflection, I have to take into consideration the amount of initiative it takes for any one student to become more active in the community in which they live and study. It is not the institution’s sole responsibility to make their students active; anything less than making community service a requirement for graduation will leave some students inactive.  But for the most part, I think that the majority of students are not willing to let experiences such as tutoring underprivileged youth or participating in Feet to the Fire or taking a service learning course, among many other opportunities, go by the wayside in their four years at an elite institution such as Wesleyan.

Sydney Lowe ‘13
Sydney LoweAlexander Heffner is adamant that colleges should require community involvement—in his article he calls for a redefinition of the collegiate education system, advocating for a new civic focus on learning. I think he’s completely right.

In my experience, most university students tend not to recognize the significant connections between service learning and their academics when they should.  I, on the other hand, grew up where community involvement was an actual requirement.  In my New York City public high school, all students were required to complete a minimum of 40 hours of community service per year.  I spent my four years volunteering at libraries, at children’s museums, and most memorably coaching my middle school swim team.  By the time I had graduated, I’d simultaneously completed over 400 hours of community service and cultivated an appreciation for service learning that I’ll carry with me for years to come.  It is this appreciation that I see all the time at Wesleyan.  Founded on the dual principles of scholarship and service to community, Wesleyan University stands as an exemplar to other schools.  There are so many incredible opportunities to get involved on campus and in the surrounding Middletown community; it would honestly be a shame for those who didn’t take advantage of them.  Service learning shouldn’t have to be a requirement, but I think rather needs to be an integral part of the human philosophy: we should do it because we sincerely want to—because we want to change the world starting with our local communities.  I’m so glad to have found a family at Green Street Arts Center where I can fully participate in service learning and make a difference.  I’m excited to get to know the others who will join me in saving the world as well!

Alanna Badgley ‘13
Alanna BadgleyWith Thanksgiving coming up, I am bound to answer the question, “how is school going?” more times than I will be able to count.  My answer will not start with a review of my classes, or a recap of the most recent concert I went to.  Instead, I will be most likely to talk about how I spend my afternoons.  From 3-6pm every school day, I’m not napping as a result of a late night cram session the night before, but rather I’m at Green Street Arts Center working with the After School Arts and Science Program.  My second year at Wesleyan University is also my second year at the center, which I initially discovered through a community service initiative during my freshman orientation. As a result, I am now on first name, high-fiving basis with more than one hundred youth in Middletown, many of whom I see as I walk down Main Street, or that I sled with down the hill on our campus when it begins to snow.  This is my college experience.  I’m not isolated in a bubble of academia. I’m intimately involved with my community, and will leave Wesleyan in two and a half years not only with a Bachelor’s degree and a few good stories, but also with the fulfillment of truly connecting with the community around me.

Charming Yu ‘13
Charming YuThere are many forms of learning, and while the standardized classroom environment is crucial, I also believe that community engagement is a well-rounded approach.  After exploring Wesleyan University’s Office of Community Service last school year, I learned about Green Street Arts Center and began actively participating in its After School Arts & Science Program.  Being a part of the After School Program gives me the opportunity to interact with not only my fellow Wesleyan University students, but also volunteers from high schools and colleges in the area.  Perhaps more importantly, I am also able to interact with the younger generation (elementary and middle school students) and see how various changes, especially technological advances, in the past decade distinguish their experiences from my own experiences when I was in primary school.  Being involved in the community alters my perspective and helps me see where I stand in relation to different social circles, something that is difficult to achieve when you stay in your college bubble.  However, staying involved in the community and understanding the situations around you is only the first step to tackling the various problems the 21st century presents.

William Tyner ‘13
William TynerIn the opinion of a Wesleyan University student, what sets Wesleyan apart from other liberal arts institutions is its strong encouragement of student community involvement.  Throughout the school, there are numerous programs in which students can get involved such as WesReads, WesMath, and Green Street Arts Center, among others.  With great effort, Wesleyan tries to bridge the gap between educational theory and its application, and as a transfer student that is precisely why I chose to attend Wes over other liberal arts colleges.  I think it is crucial that as students, we have the opportunity to descend from our ivory towers and apply our often overly theoretical knowledge of the world to contribute something with real and tangible outcomes to society.  While many students are compelled to participate in social engagement, many do not do so, and I believe that it is the institutions job to promote it.  To me, the overall goal of an education is to cultivate our reflexive self-examination skills by adapting what we learn in the maths, sciences, humanities, and so forth, to our own individual projects and goals and simultaneously to the progress toward the common good. Along with developing excellent numeracy and literacy skills, the goal of education should be to prepare students for civic engagement by encouraging them to get involved in their community, and this is something that few institutions foster in their curriculum.  For example, this semester I am taking a Sociology of Education course that requires each student to observe and volunteer at a local school.  This type of curriculum gives me a place to actively apply the knowledge learned in class to my observations and volunteer experiences at the local school.  I am then able to apply my practical knowledge of society that is influenced by my academic knowledge to my work at Green Street.  Green Street is a place where students from all different corners of the community can come and contribute something meaningful to society, and I believe that having an outlet to positively influence society is a powerful asset.  Green Street is a prime exemplar of the coalescence of academic theory and its real world, practical application.  The fact that Wesleyan strongly encourages its students to become a part of the Green Street community and other Middletown community organizations is something truly special and beneficial in the long run.

Jenny Huang ‘11
Jenny HuangAttending college is often regarded as “training for the real world,” but consider this: we’re already living in the real world.  As college students striving to be engaged and responsible global citizens, we must start within our own community.  Working with and learning from people with diverse backgrounds is just as important as the research we develop with our fellow scholars.  The various and numerous resources that Wesleyan students have at their disposals enhance our power as citizens to make a positive impact in the community we live in.  An existing model for university engagement within the community includes Green Street, which draws upon the dynamic resources of Wesleyan and Middletown in an effort to enrich the lives of the students and families that utilize the facilities.  Privileged institutions, like universities, have the ability and obligation to foster a sense of social responsibility among students to engage in community advocacy.  Incorporating hands-on involvement into the curriculum would support Wesleyan’s recently launched Making Excellence Inclusive initiative, which aims to re-imagine “how to better educate our students to become more effective and thoughtful citizens.”  As Heffner suggests, we must redefine the priorities of today’s colleges.  The ivory tower does not have to be a bubble!  We may be students for only a limited time, but we are citizens for life.  Look around–this is the community we live in and it sure is real, so what are we waiting for?

Camille Martin ‘11
Camille MartinAlexander Heffner has an interesting point of view on college curriculum.  It’s important for students to relate what they learn in class rooms to their environment.  This type of hands on experience will carry them through college and the rest of their lives.  Student’s often become preoccupied with passing classes and don’t spend time applying what they learn.  However, most colleges offer humanities and science courses in which you can intern or volunteer in the community.  Coming from a community college I’ve been able to intern and work in the community. In fact, the college I attend offers a human services program where you choose two internships your second year. Interning at Green Street Arts Center I get to work with kids in an art setting.  This experience counts toward my college credit and is viewed as an actual class.  Working in a field I’m interested in has taught me things I’d never learn in a class room setting and has enabled me to apply what I’ve learned in school so far!

Gabe Gordon ‘11
Gabe GordonAs a student majoring in Philosophy at a liberal arts university, I know what it means for higher education to remain tied down in an abstract, seemingly arbitrary level of learning.  I agree with Mr. Heffner’s plea for an American educational system that emphasizes more hands-on community involvement over the rote standardization of knowledge.  I am also grateful that my school helped found the Green Street Arts Center in an effort to collaborate with the town in which it resides. Dozens of my fellow students volunteer as tutors, private music teachers, and support staff at Green Street’s After School Program.  The kids and students work together to give back to the community through the arts.  Organizations like Green Street are invaluable parts of any community that wishes to unite people of all generations and backgrounds and to realize the ideas that Mr. Heffner proposes.

To close, I would like to add, that Green Street is not the only way Wesleyan continues to work with Middletown.  Wesleyan has the Center for Community Partnerships (CCP), where combining the assets of the Service-Learning Center, the Office of Community Service and Volunteerism, the Office of Community Relations, and Green Street Arts Center, the CCP seeks to serve the development of both the individual and the community, guided by principles of mutual respect and shared responsibility.  While many colleges have these types of programs, how many are actively encouraging their students to participate?  And how many have resources like Wesleyan’s CCP and Green Street Arts Center?  How many students are looking to get involved in their communities?  The resources are there. Reach out. Find them.

Compiled by Lisa Bruno, Development Assistant, and Rachel Roccoberton Griffin, Administrative Assistant, with the help of the above students

To reach out and find ways in which you can get involved in Green Street Arts Center, call 860-685-7871 or email gsac@wesleyan.edu.

Explore the Alluring World of Sherlock Holmes’ London: A Sunday Salon with Stephanie Weiner

Sherlock Holmes“A positive case can be made that [Sherlock] Holmes exerts just as much hold on the world’s imagination today as he did a century ago,” writes Joshua Hammer in a recent essay.  And, he continues, “Conan Doyle’s other alluring creation was London.”

It is easy to appreciate the imaginative effort that produced Holmes, master detective and master of disguise, his brain a kind of compendium of raw data and a machine for deductive reasoning, his heart a refuge for unspoken demons and silent affections.  It is perhaps more difficult to grasp the equally imaginative effort that produced Holmes’s London.  But that place is also imagined, shaped by Conan Doyle’s narrative art into the proper setting of many of Holmes’s adventures and the surrounding context for 221B Baker Street, where most of the stories, no matter where they lead him and Watson, begin and end.  London Map circa 1890Holmes’s London partakes of the reality of the real city, the sprawling megalopolis documented by maps and photographs and record such as newspapers and police  reports.  But it also participates in a “fascinating and artistic” city more familiar from impressionist paintings and poems.  Our image of end of the century London is, in no small thanks to Conan Doyle, a mixture of these two cities, full of foggy streets and mysterious riverbanks only partially illuminated by the glow of streetlamps.

Holmes and Watson discuss the relationship between these two aspects of London in “A Case of Identity,” one of the stories that appeared in The Adventures of Sherlock Holmes in 1892:

“My dear fellow,” said Sherlock Holmes, as we sat on either side of the fire in his lodgings at Baker Street, “life is infinitely stranger than anything which the mind of man could invent.  We would not dare to conceive the things which are really mere commonplaces of existence.  If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outré results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.”

“And yet I am not convinced of it,” I answered.  “The cases which come to light in the papers are, as a rule, bald enough, and vulgar enough.  We have in our police reports realism pushed to its extreme limits, and yet the result is, it must be confessed, neither fascinating nor artistic.”

“A certain selection and discretion must be used in producing a realistic effect,” remarked Holmes.  “This is wanting in the police report, where more stress is laid, perhaps, upon the platitudes of the magistrate than upon the details, which to an observer contain the vital essence of the whole matter.  Depend upon it there is nothing so unnatural as the commonplace.”

I think we can read this passage as a meditation on the kind of portrait of the city that Conan Doyle aspires to offer.  That portrait will be at once accurate and “fascinating and artistic,” and it will achieve this double effect, this fusion of documentary accuracy and aesthetic imagination, by demonstrating how unpredictable and “strange” the everyday life of the city really is.

In this Sunday’s salon, we will examine the London depicted in “realistic” portraits such as maps and the London presented by artists such as Whistler and Wilde.  We will see how Conan Doyle draws on both aspects of London to create Holmes’s city, which is not only a vivid setting but a character in its own right and an object of knowledge as well as mystery.

Submitted by Stephanie Weiner, Wesleyan University Associate Professor of English

Stephanie WeinerStephanie Weiner (B.A., University of Minnesota; Ph.D., Stanford University) is associate professor of English at Wesleyan University. Her recent publications include Republican Politics and English Poetry, 1789-1874 (Palgrave Macmillan, 2005), and articles about Ernest Dowson, Algernon Swinburne, and Arthur Symons. She is currently at work on a book about the English Romantic poet and naturalist John Clare and a series of articles about depictions of real and imagined sense experience in late nineteenth-century poetry. She is the recipient of the Binswanger Prize for Excellence in Teaching (2010).

Interested in hearing more?  Join us this weekend.

Sherlock Holmes’ London on Paper, Canvas, and Film
A Sunday Salon & Graduate Liberal Studies Open House

Sunday, November 21, 2010 | 2-4pm
Suggested Donation $5

Professor Weiner will examine how various representations of London managed to offer a fascinating snapshot of the city as it was.  During the salon, Sir Arthur Conan Doyle’s stories, maps, and photographs as well as paintings by artists such as James Abbot McNeill Whistler, poems by writers such as Oscar Wilde, and recent Sherlock Holmes films will be examined.  The Salon will include an information session about graduate liberal studies at Wesleyan, where Professor Weiner will be teaching a course on Literature in London this spring. To reserve a seat, contact Green Street Arts Center at 860-685-7871 or email gsac@wesleyan.edu.

Curiosity & Lifelong Learning

Autumnal Equinox by Edeltraud HullerHaving been part of the Green Street family for 5 years, and focusing primarily on the financial end, I have learned quite a bit about the offerings from a registrar’s point of view.  After working closely with the Teaching Artists, I was curious to see what attending their classes would be like.  This curiosity led me to take Edeltraud Huller’s Beginning Drawing class in the Summer 2009.

As the first class drew near, I was nervous with anticipation, as my previous drawings reflected the skills of a pre-schooler.  On the day of the class, I showed up armed with a few pencils, some paper, Klimt's Kissand sheer determination; my goal was to learn how to sketch fashion design.  Beginning Drawing consisted of two 16 year-olds and 3 adults who could easily have been their parents (or grandparents)- what a mix!  In these 5 weeks, we managed to sketch everything from our fellow students to the flowers in Green Street’s garden.  This experience, and the serenity of drawing outside, reminded me of what great inspiration lies in nature.  Additionally, the talents and different styles of each student were really fascinating and acted as encouragement for us to think about our subjects from a different point-of-view.

Miro's Cat Encircled by the Flight of a BirdIn one class, Edeltraud encouraged us to bring in works by our favorite artists for inspiration and to learn about their work through imitation.  I chose works by Austrian painter, Gustav Klimt and Spanish surrealist Joan Miró.  I was able to examine their different styles of painting as well as their uses of composition and color.  Klimt’s obsession with the female anatomy, and Miró’s use of shapes made it easy for me to draw inspiration and sketch multiple drawings.

After completing the course, I was left with four drawings that showed my progress.  Thanks to this class, I realized that I was actually a decent artist.  I have kept the nature sketches not only because I enjoy them, but also as a reminder that I should continue challenging myself.  Looking back on the experience, I realized that it was much more than a drawing class, but rather a time when I could forget about the stresses of the day and completely lose myself in the art.

Submitted by Claudia Foerstel, Financial Coordinator & Registrar and Green Street student

Adult Drawing & Painting StudentAre you interested in Claudia’s experience or do you want to take Edeltraud’s drawing class yourself?  Session II of Green Street’s Fall classes are beginning this week and registration is open now!  Click here to view all of Green Street’s offerings for lifelong learning.  Call 860-685-7871 or email gsac@wesleyan.edu to register or click here to register online.

Latin Dance: Sizzling Salsa Nights

Salsa Social

My name is Jason Pepin and I proudly hold the title given to me as Green Street Art Center’s “resident Salsero”. I have been teaching Salsa and Latin dance at Green Street for almost a year and a half now. I began as the Latin dance instructor in the after school program and was blown away by the charisma and talent that all of the students in the program have. I am a classroom teacher by profession, and really enjoy working with children beyond the classroom, especially when that work is teaching dance.

I also teach adult group classes and host the very popular Salsa Socials in the evenings, bi-monthly. The adult classes are extremely enjoyable for me. Many times, people come to their first beginner class with no dance experience. Others have lots of experience, only not with Latin rhythms. It is a true blessing to see the transformation that happens to both of these crowds in my group classes. I’m really looking forward to getting started in another session soon!

The Salsa Social is a one-night event where anyone can come to Green Street, get a taste of Salsa with a beginner lesson, and then spend a few hours being immersed in Latin culture. Music videos are projected onto the wall while sultry Latin rhythms fill the space of our beautiful performance studio. Beginners and guests can practice what they learned in the lesson from 7-8 and watch dancers of all levels as the fiesta unfolds. In the past, we have had Salsa CDs for sale from live musicians that teach dancers in attendance about the Latin instruments. It is really an experience that can only adequately be summed up by the feeling of being there. So come by and see for yourself on October 9th or December 11th!

Submitted by Jason Pepin, Green Street Teaching Artist

Salsa Socials
Saturdays, October 9 & December 11 | 7-10 pm
Jason Pepin
Regular: $8; Members/Family & Friends/Students/Seniors: $5
Green Street’s resident salsero Jason Pepin presents two evenings of hot music, open floor, and the best dance crowd in Connecticut. Beginners welcome for instruction from 7-8 pm (included in price of admission).

Salsa for Beginners & Intermediates
Wednesdays | 6:15-7:15 pm (beginning November 3rd)
Regular: $60; Family & Friends/Students/Seniors: $51; Members: $48
Drop-ins Regular/Family & Friends/Students/Seniors: $10; Members: $8
Explore the roots and rhythms of Salsa music and dance. Learn basic steps and turns as well as individual footwork and trick steps. You will gain an appreciation for the Latin rhythms that make up Salsa music and the confidence to dance socially.